Was Frankenstein Really Uncle Sam? Vol. VIII: Notes on the State of the Declaration of Independence


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By Christopher Paul Moore | NYPL Schomburg Center

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Hart's picture Riddle Gawne that Chaney's talents as a character actor were truly recognized by the industry. In succeeding films, the men alternated playing lover, villain, or other man to the beautiful Phillips. They would occasionally be joined by Claire DuBrey nearly making the trio a quartet of recurring actors from film to film.


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So successful were the films starring this group that Universal produced fourteen films from to with Chaney, Stowell, and Phillips. Stowell and Phillips made The Heart of Humanity , bringing in Erich von Stroheim for a part as the villain that could easily have been played by Chaney. Paid in Advance was the group's last film together, for the chiseled featured Stowell was sent to Africa by Universal to scout locations for a movie. En route from one city to another, Stowell was in the caboose when it was hit by the locomotive from another train; he was killed instantly. The majority of these films are lost but a few, including Triumph and Paid in Advance survive in private collections or unrestored in European or Russian archives.

The film displayed not only Chaney's acting ability, but also his talent as a master of makeup. The Hunchback of Notre Dame Chaney exhibited great adaptability with makeup in more conventional crime and adventure films, such as The Penalty , in which he played a gangster with both legs amputated. Walthall and Polly Moran in the Tod Browning horror film London After Midnight, considered one of the most legendary and sought after lost films.

More information about this seller Contact this seller 7. Dust Jacket Condition: Dust Jacket. London: The Readers Library, no date []. First UK Edition. Issued simultaneously as a 'library edition' under the Queensway Press imprint. This book is the movie novelisation of the film of the same name, a classic masterpiece of 's horror films, and a superior sequel to the original prototype Frankenstein from Generally considered one of the greatest horror films of all time, the film reunited Colin Clive as Dr.

Frankenstein with Boris Karloff as the Monster, but brought two new characters to the forefront: Ernest Thesiger as a necromancer who has miniaturized and imprisoned various human beings in glass jars, and Elsa Lanchester as the Monster's Bride. The front panel of this book is a colour illustration of Karloff and Elsa Lanchester.

Scans invited. More information about this seller Contact this seller 8.

e-book Was Frankenstein Really Uncle Sam? Vol.I

Contemporary black half calf with marbled sides, spine gilt in compartments with titles direct, marbled edges. A little light rubbing, small worm hole near foot of front joint, small patch of worming to lower fore-corner of first few leaves, some spotting within, very good condition overall. First edition of this notoriously scathing review of Mary Shelley's Frankenstein, appearing in this volume of The Quarterly Review and penned by John Wilson Croker , a serial foe to all young Romantics and Jacobins, who only a few month later savaged, no less notoriously, Keats's Endymion, and would go on to do the same for a budding Tennyson.

Excepting Percy Shelley's own review, which was written before the novel was published in January , Croker's was the first review of Frankenstein written. The text of the review is well known, and is starkly representative of the conservative biases of the contemporary scene onto which Shelley's extraordinary novel had to force its way. Croker damned the novel as "a tissue of horrible and disgusting absurdity", and though it was anonymously published Croker throughout assumes the author was a "he" he scorns it firmly along the party lines of the anti-Jacobin: "It is piously dedicated to Mr Godwin, and is written in the spirit of his school.

Mr Godwin is the patriarch of a literary family, whose chief skill is in delineating the wanderings of the intellect, and which strangely delights in the most afflicting and humiliating of human miseries. His disciples are a kind of out-pensioners of Bedlam, and. More information about this seller Contact this seller 9. Condition: Fair.

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More information about this seller Contact this seller First Only Edition. Nicely framed in period frame, likely an original frame from that era with 2 artists bds and rusty square brads holding them in place. Lithograph is in near fine condition with a small moisture stain along the left edge of the margin, well away from the image.


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Image is Both are wonderful examples and possibly the last 2 Art pieces H. Brown produced in the US before moving back to the UK to live out his golden years in the care of his loving daughter. Bound In full leather with hubbed spines. Published by Gothic Castle Publishing.

From: Nicholas J. Certo Newburgh, NY, U. About this Item: Gothic Castle Publishing.

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Soft cover. The majority being FINE with only minor flaws. In all 32 magazines packed with monster fun!. Seller Inventory b. Condition: Very Good Plus. First Edition apparently? Recently out of storage, there certainly were only a handful of these produced and we could locate no other copies for sale. Fine in tan cloth-covered boards with foxing on the top edge. Copy number one of numbered copies signed by Gardner. Signed by Author. Seller Inventory b Published by J. About this Item: J. Dust Jacket Included. A vibrant facsimile dustjacket that was produced from an original dustjacket houses this book.

So he created a monster. It could walk, talk, breathe and eat like a human being. He gave it life- and it took the life of others. He could not control it, neither reason nor pity turned it from its ruthless course. This masterpiece is the transcript of the grim terrors of Mary Shelley's waking dream.


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And this edition is exactly as Mrs. Shelley wrote it. An important photoplay edition, as it was the first to feature a photo of Boris Karloff as the Frankenstein monster on the jacket. The upper front panel is actually a still from the film showing Boris Karloff as the monster. The original dustjacket that this facsimile was produced from was in a beautiful condition, and it looks great! Boards are a red coloured cloth with with dark lettering and decoration to the spine and blind tooling to the front board. Retains colour although has some light soiling and fading in general.

These last four contain only about 25 extended essays each. Rolwing examines nearly all the major writers on our Basic Charter, most of whom repudiate it. He focuses on their manifold criticisms and rejections, reveals their multiple distortions and misunderstandings, rebukes their self-contradictions and inconsistencies, and pities their general theo-phobia.

He argues that while America was Founded almost completely by Protestant Christians the only two deists were not even deists , what was Founded was formally only a philosophical product, not a faith based or Christian one, although the philosophy had been more Catholic than Protestant. Rolwing makes a great deal of American history, law, ethics, politics, philosophy, and theology easily accessible to the average reader. After learning that one of her ancestors was burned at the stake, a woman seeks violent revenge against descendants of those who committed the act.

Troubled people attempt to mend their lives as they brace themselves for a comet that threatens Earth. A time-folding federal agent falls in love with a New Orleans woman who is targeted to be murdered. A young girl dies in after a demonic spirit preys on her family. Decades later, a skeptical doctor must stop history from repeating itself by confronting his own demons to save the life of a possessed teenager.

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E Sat. Suspended from the police force, John McClane enlists a Harlem shopkeeper to help stop a terrorist bomber. GALA Sun. An American con man and his British rival target a soap heiress from Cleveland on the French Riviera. Fox, Julie Warner. An upstart plastic surgeon gets stuck in a one-doctor Southern town and falls in love with a local.

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Was Frankenstein Really Uncle Sam? Vol. VIII: Notes on the State of the Declaration of Independence Was Frankenstein Really Uncle Sam? Vol. VIII: Notes on the State of the Declaration of Independence
Was Frankenstein Really Uncle Sam? Vol. VIII: Notes on the State of the Declaration of Independence Was Frankenstein Really Uncle Sam? Vol. VIII: Notes on the State of the Declaration of Independence
Was Frankenstein Really Uncle Sam? Vol. VIII: Notes on the State of the Declaration of Independence Was Frankenstein Really Uncle Sam? Vol. VIII: Notes on the State of the Declaration of Independence
Was Frankenstein Really Uncle Sam? Vol. VIII: Notes on the State of the Declaration of Independence Was Frankenstein Really Uncle Sam? Vol. VIII: Notes on the State of the Declaration of Independence
Was Frankenstein Really Uncle Sam? Vol. VIII: Notes on the State of the Declaration of Independence Was Frankenstein Really Uncle Sam? Vol. VIII: Notes on the State of the Declaration of Independence

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